Happy Endings

Happy Endings

Whiny, Pouty Bitch

wrestling as angst outlet and foreplay

Abigail A Mlinar Burns's avatar
Abigail A Mlinar Burns
May 04, 2026
∙ Paid

After three years of near-daily acquaintance, the manager at the bodega near my kids’ school said he loved the way I spoke to my kids. He said I was so patient. I said, well, I’m not always. I just try to get my angst out in play.

I called it Monster Mommy. I haven’t done it in a while. I have new tactics. But I used to get down on all fours and growl a little, and the kids would scamper from me. Sometimes we’d all laugh, but sometimes they’d say, “Please stop.” So I would.

This might seem cute, or it might seem troubling. I consider it a coping mechanism.

The new coping mechanism looks like this:

After lying on my back in a child’s size bed for an hour, I said to my husband, “Can we go to sleep?” I was crabby. I was shattered. I couldn’t keep my eyes open.

He said, “No, babe, it’s a quarter to nine.”

My brain moved in such a way that it needed to do the math. A quarter is fifteen, minus 9:00 equals eight forty-five. I couldn’t argue with him — it was too early to go to sleep. But I wanted to argue. So I squatted and pouted at the edge of the couch that he sat on. I had a lip a bird could poop on, as my dad used to say.

“Why are you being so cute?” my husband said.

“I’m not being cute. I’m pouting,” I said with a glare.

“We can’t go to sleep before 9:00,” he said.

I hmpf’d. “If you’re going to make me stay up…” I said, unsure how I’d finish the sentence, “You need to pound me awake.”

He chuckled. “Is that right?”

I watched his little cheeky smile form, which was probably the reason I said it in the first place. I like to be monstrous to him. To get a rise out of him.

Then he said, “Look at your cheeky smile.”

“I was looking at yours,” I said. I crawled toward him. I raised up onto my knees. The pout still on my bottom lip. Then, without thinking about it, I punched his arm.

“Is it going to be like that, then?” he said.

Debbie Harry, Caitlan Clarke, and Andy Kaufman in the Broadway play ‘The Venus Flytrap’ (1983)

“Does this hurt?” I said. I braced my fist in its best, untrained form, and punched him again.

“No,” he said, smiling an extra cheeky smile. I could see the child in him.

“How about this one?” I said, punching the other arm. He tensed before that one. I could tell he felt nothing. It didn’t frustrate me, though. I liked it like that. And I knew it would be so. We did this whole routine now and again. He found it silly, and it comforted me to remember that no matter how hopelessly unrestrained I was, it wouldn’t move him.

“And this one?” I said. But as my fist moved toward his chest, he grabbed my forearm, mid-air. “You bastard,” I said. My eyes felt alive, but I squinted them like the whiny, pouty bitch I was.

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